{"id":102,"date":"2008-11-01T23:40:59","date_gmt":"2008-11-02T04:40:59","guid":{"rendered":"http:\/\/www.triatlantico.org\/blog\/?p=102&#038;lang=en"},"modified":"2021-11-20T19:50:53","modified_gmt":"2021-11-21T00:50:53","slug":"more-new-musicmais-musica-nova","status":"publish","type":"post","link":"https:\/\/www.triatlantico.org\/blog\/2008\/11\/01\/more-new-musicmais-musica-nova","title":{"rendered":"More &#8220;new&#8221; music|Mais m\u00fasica &#8220;nova&#8221;"},"content":{"rendered":"<p>[lang_pt]<br \/>\nA minha procura por m\u00fasica nova n\u00e3o se restringe ao que j\u00e1 descrevi <a href=\"http:\/\/www.triatlantico.org\/blog\/lang\/pt\/2008\/10\/20\/a-descoberta-de-nova-musica\/\">aqui<\/a>.<\/p>\n<p>Eu oi\u00e7o bastantes podcasts de programas da <a href=\"http:\/\/www.npr.org\">NPR (National Public Radio)<\/a> &#8211; a r\u00e1dio p\u00fablica dos EUA.<\/p>\n<p>Entre eles existe um que j\/a me deu a conhecer bastantes bandas interessantes: <a href=\"http:\/\/www.npr.org\/templates\/rundowns\/rundown.php?prgId=37\" class=\"broken_link\">All songs considered<\/a>.<\/p>\n<p>Para al\u00e9m da divulga\u00e7\u00e3o de can\u00e7\u00f5es de novos artistas, pode-se tamb\u00e9m ouvir <a href=\"http:\/\/www.npr.org\/sections\/concerts\/\">concertos<\/a> de artistas conceituados:<\/p>\n<ul>\n<li><a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=94315732\">RadioHead<\/a>\n<li><a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=90226727\">Lou Reed<\/a>\n<li><a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=92916923\">Tom Waits<\/a>\n<\/ul>\n<p \/>\n<p>Mas n\u00e3o pensem que este programa apenas se preocupa com os EUA ou a m\u00fasica anglo-sax\u00f3nica. Houve dois programas em que fizeram um retrato da musica contempor\u00c3\u00a2nea em Portugal com a ajuda de dois dos melhores DJs portugueses, \u00c3\u0081lvaro Costa e Henrique Amaro. The Music of Portugal <a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=15960541\">Parte I<\/a> e <a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=15960493\">Parte II<\/a>.<br \/>\n[\/lang_pt]<br \/>\n[lang_en]<br \/>\nMy search for new music is not limited to what I already described <a href=\"http:\/\/www.triatlantico.org\/blog\/lang\/en\/2008\/10\/20\/a-descoberta-de-nova-musica\/\">here<\/a>.<\/p>\n<p>I actually subscribe to a <b>lot<\/b> of podcasts from regular <a href=\"http:\/\/www.npr.org\">NPR<\/a> programming. Among those, one has made known to me lots of new and interesting artists: <a href=\"http:\/\/www.npr.org\/templates\/rundowns\/rundown.php?prgId=37\" class=\"broken_link\">All songs considered<\/a>.<\/p>\n<p>In addition to showcase songs from new upcoming artists, you can also listen to <a href=\"http:\/\/www.npr.org\/sections\/concerts\/\">concerts<\/a> by well known artists:<\/p>\n<ul>\n<li><a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=94315732\">RadioHead<\/a>\n<li><a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=90226727\">Lou Reed<\/a>\n<li><a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=92916923\">Tom Waits<\/a>\n<\/ul>\n<p \/>\n<p>But don&#8217;t think this program is limited to US and anglo-saxonic music. There were two shows where All Songs Considered made a little snapshot of the Portuguese music scene with the help of two of the best portuguese radio DJs, \u00c3\u0081lvaro Costa e Henrique Amaro. The Music of Portugal <a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=15960541\">Parte I<\/a> e <a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=15960493\">Parte II<\/a>.<\/p>\n<p>[\/lang_en]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[lang_pt] A minha procura por m\u00fasica nova n\u00e3o se restringe ao que j\u00e1 descrevi aqui. Eu oi\u00e7o bastantes podcasts de programas da NPR (National Public Radio) &#8211; a r\u00e1dio p\u00fablica dos EUA. Entre eles existe um que j\/a me deu a conhecer bastantes bandas interessantes: All songs considered. Para al\u00e9m da divulga\u00e7\u00e3o de can\u00e7\u00f5es de [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[66,10],"tags":[14,37,20],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pmzAM-1E","_links":{"self":[{"href":"https:\/\/www.triatlantico.org\/blog\/wp-json\/wp\/v2\/posts\/102"}],"collection":[{"href":"https:\/\/www.triatlantico.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.triatlantico.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.triatlantico.org\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.triatlantico.org\/blog\/wp-json\/wp\/v2\/comments?post=102"}],"version-history":[{"count":11,"href":"https:\/\/www.triatlantico.org\/blog\/wp-json\/wp\/v2\/posts\/102\/revisions"}],"predecessor-version":[{"id":1806,"href":"https:\/\/www.triatlantico.org\/blog\/wp-json\/wp\/v2\/posts\/102\/revisions\/1806"}],"wp:attachment":[{"href":"https:\/\/www.triatlantico.org\/blog\/wp-json\/wp\/v2\/media?parent=102"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.triatlantico.org\/blog\/wp-json\/wp\/v2\/categories?post=102"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.triatlantico.org\/blog\/wp-json\/wp\/v2\/tags?post=102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}